Artists keep their masters
Our agreements are licences with a defined term and clean reversion — not buy-outs. We would rather earn the next record than own the last one.
Independent label · Istanbul, Türkiye
A record label and artist services company. We sign fewer artists than we could, keep them longer than we have to, and hand back the masters when the term is up.
We handleA&R
A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC · A&R · RECORDING · DISTRIBUTION · PUBLISHING · SYNC ·
MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE · MASTERING · MARKETING · LIVE · RIGHTS · CATALOGUE ·
What we are
A label is not a bank and it is not a billboard. It is a room full of people who decide, every quarter, to keep betting on the same handful of artists.
Releases out now
Artists credited
%
Masters kept by artists
In-house services
Accounting you can read
Statements arrive on a fixed schedule, itemised, in plain language. If you need an accountant to work out where the money went, the statement has failed.
Fewer signings, longer relationships
We take on a small number of artists at a time, because development that means anything takes years and not everyone can be given that attention at once.
The roster
Artists we back
Everyone credited on the catalogue. Move your cursor across the grid — colour follows attention, which is roughly how this business works.
The catalogue
Out
now
Drag, scroll or use the arrow keys. Every record streams on Spotify and every artist on it still owns their masters.
sokaklar bize aşinaarda75, Yelcbrv, Yiğit Çiçek2:2328 Apr 2026
Boğazında Parmaklarımarda750:5507 Apr 2026
Hissizliği Bilemezsinarda752:1924 Mar 2026
mügeXanliarda75, Yelcbrv2:1002 Nov 2025
Delivered to every platform that matters
- Spotify
- Apple Music
- YouTube Music
- Amazon Music
- Deezer
- Tidal
- SoundCloud
- Anghami
- Fizy
- Bandcamp
What we do
Six desks,
one building
A record needs more than a release date. Every function below sits in-house, which means one plan, one calendar and one set of numbers.
How it works
From voice note
to catalogue
Four steps, no mystery. The parts that usually stay hidden — the budget, the split, the term — are the parts we put on the table first.
- 01
You send us the music
Two or three finished tracks and a paragraph about where you want to be in three years. Links, not attachments.
- 02
We build the plan together
Before any paperwork, we show you the shape of it: budget, timeline, what we would spend and what we would expect back. If the numbers do not work, we say so.
- 03
You make the record
Studio time, production and mastering with people who will still be here for the next one. The record stays yours the whole way through.
- 04
We take it everywhere
Distribution, press, playlists, sync and live support — then a statement you can actually read, and rights that revert when the term ends.
Open door
We listen to everything
No gatekeeper, no submission fee, no algorithm reading it first. Two or three finished tracks and a short note about what you want next.